Unfortunately, it just ain’t that simple!Īnyway, during this hair-on-fire digital transition, different methods are employed that utilize the various color spaces in a way that transforms the colors from one device to another as accurately as possible. It’s a very complicated process that color scientists have tried for years to make simple. Here, they get translated into another process that interprets those electrical signals into a process that turns on tiny lights (called pixels) on a backlit screen.Īnd third, those pixels are then sent to a printing machine that instructs those pixel values to spit tiny splatters of colored ink onto paper. Second, these numbers are then sent to the computer. Each color is assigned a specific number. F/7.1, 1/320, ISO 400, Lumix G Vario 2.8, 19mmįirst, cameras capture color by recording intensities of light as electrical signals and interpreting those signals as colors. These colorful seat cushions and deep shadows were captured in RAW format, edited in AdobeRGB, and saved in sRGB for upload to our camera club’s server for display as part of a club field trip slideshow. There is no singularly perfect color space choice, so let’s examine which is best for specific situations. So, the choice of which to use does have practical importance. Larger color spaces provide more bit-depth (explained below), which occupies more digital real estate on the memory card. Your camera’s color spaces involve not just color data, but additional parking space on the drive. In addition to the capture question, choosing a color space for post-production editing will depend on the image’s ultimate usage. Pictures captured in one space may include more colors than another.Įach space is ideally suited for certain purposes, and the question of which camera color space to choose needs a bit of explanation. Some color spaces capture more of the hues and saturated colors than others. Scenes that include both brilliant colors and bright lighting are excellent candidates for capture with AdobeRGB color space.į/3.5, 1/1000, ISO 400, Lumix G Vario 2.8, 35mmĪ debate in the photo community usually arises over which camera color spaces to choose in the camera’s preferences.
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